Sunday, February 3, 2019
An Analysis of Representing Representation Essay -- Fried, Michael
The studio apartment of the Painter portrays the social and cultural position of the artist. The center group consists of a nude female model, a young peasant boy, and Courbet himself working on a landscape. To the left is a group of people who represent a cross spectrum of society and the various social classes while to the right argon some of the artists friendsincluding the well-known essayist Baudelaire. This blushing mushrooming, along with several(prenominal) others, was hung in Courbets Pavilion of Realism the exhibit was getd after Courbet refused to paint to the rules of the French Academy in roam to be shown at the exposition Universelles des Beaux-Arts. Rather than portraying a woman as the traditionalistic allegory, Courbet uses her as the inspiration behind the landscape painting thus creating a connection between the standard female nude and nature. The painting has connections to the surmise of absorption by Courbet portraying all of the figures being absorbed i n their own thoughts so that the spectator pump is being ignored and is rendered unnecessary. Like a play at a theatre, the scene portrayed can be seen as a theatre production being performed for the viewer and fundamentally makes the viewer believe that they are uninvolved. Overall, the painting is a statement of Courbets desire to go beyond traditional painting and viewer roles and create a new way of separating art from the collective eye.Michael Frieds article Representing Representation focuses on the central group of Courbets studio of the Painter as a desire to reduce to an absolute negligible all sense of distance between the painting and beholder. As his introduction, he states that he will compare the painter in the studio apartment to angiotensin converting enzyme of Courbets well-known self portraitsThe Man with t... ...s from what he is actually seek to say and could frustrate a reader who just wants to learn nearly Courbets Studio. If Fried had covered only on e of the topics that he writes slightly the essay could have been much stronger and more focused than what he has produced kinda than a conglomeration of several ideas that the reader has to process in order to get the main idea of what the author originally set forbidden to do. Frieds analysis is well-written and well-supported and in the beginning he clearly sets out what he is going to cover, but overall it is a clump of information being covered in a portentous room that disconnects the reader from the writingmuch like Courbet set to disconnect the viewer from the painting.Works CitedFried, Michael. Representing Representation On the Central Group in Courbets Studio. Art in America, September 1981, 127-133, 168-173.
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