Chartres and Rheims CathedralsChartres and Rheims duomos mark the apogee of Gothic building . The plan is swaggering . The choir with ambulatory surrounded by a doughnut of chapels is separated from the nave by a big aisled transept . Towers frame the sell fazade and sometimes those of the transepts . The length , which was 416 feet 6 inches at Chartres , was increased to 454 feet at Rheims . The earlier Romanesque plan , with nave and aisles , deep transepts , choir with ambulatory and fling chapels , was also that of the Gothic bishops thronels and large churches . But it was to become such(prenominal) airy , sinlessr , and less congested with thick and massive supports . fiend towers were gener anyy erected at each side of the principal fazade sometimes also at each side of the transept fronts as it was in Chartres a nd Rheims (Aubert , 1959 ) Here we should menton that the north tower of Chartres cathedral is built tierce hundred years later than the main body of the cathedral and belongs to the latish Gothic period The Chartres cathedral (1194 - 1400 ) marks the run of gothic art . It is the eldest Gothic cathedral which is free of the handicap of tribune galleries as they were re spatial relationd by libertine moreovertresses . The wide windows are shine with stained supply . The statue maker , skilled in a technique which was still upstart but already thoroughgoing(a) , studied nature , give vitality to his st unrivaled , without , notwithstanding losing sight of the architectural requirements , of the standards essential for awful monumental statuary (Aubert , 1959 ) Chartres Cathedral has asymmetrical steeples on any side of the window dressing . The reason for this is that the left spire was completed almost ccc years after the compensate spire . The hundreds of sculptu res that decorate the twelve of timpanums an! d door jams that surround the cathedra make it unique . unless , it is the inner(a) of Chartres that makes it so renowned . The nave towers above the bedeck , with clearstory windows almost as tall as the nave colonnade itself .
As a result , colored light floods the vast interior . Other places , Reims built up their windows with small materials , but adopt the system of cusping round the circle . At Reims , where they first come to the fore after Chartres , the cusps are inserted into a estrus in the grand circle , and have blunt ends into which the urge on ring which supports the glass is screwed Around 12 30 a large internal ear forty feet crosswise was set with blue and white stones into the push down of the nave of Chartres cathedral . identical labyrinths were placed in other french Gothic cathedrals including Rheims cathedral . Around the eighteenth century , all of these labyrinths except the one at Chartres , were suppressed Often mistake with Amiens , Reims Cathedral (1225-99 ) is a masterpiece of High Gothic architecture . The coronation place of many French kings , Reims Cathedral has a couple distinguishing features that keep unique when compared to other Gothic structures . for the first time , the portals jet outwards almost like porches , rather than the set ones as in Chartres cathedral . Secondly , windows have replaced the tympanums on...If you destiny to get a full essay, order it on our website: OrderCustomPaper.com
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